lizbee: (Star Trek: Georgiou)
[personal profile] lizbee
I believe [personal profile] yiduiqie and I are going to cover this together in more detail on No Award, but I just wanted to say this before I go on to episode 2...

I HAVE A LOT OF FEELINGS. )
selenak: (Pumuckl)
[personal profile] selenak
You may or may not be aware we had elections in Germany yesterday. The results weren't very surprising (if you've been following news and polls), but nonetheless shocking, because Nazis in German parliament for the first time in over 70 years should be. (Let me qualify the technicalities: of course we had original flavour Nazis in the very first post war parliament, it being 1949. We even had a rather prominent one, the original commentator of the Nuremberg "race laws", in Adenauer's cabinet. And there were right wing extremist parties since then who didn't pretend very hard to be anything else. But none of them reached 13%, which the right wing extremists du jour, the AFD, just did.) In practical terms: this means 80-something MPs drilled in verbal abuse and little else entering parliament as of next year. At least they won't be the official opposition, since the SPD, which had its historic worst result in the entire post war history with 20 something %, ended the governing Big Coalition last night. (This is actually a good thing and was direly necessary to save the party, imo. It governed in coalition with Merkel's conservatives for two out of three terms Angela Merkel has been chancellor, and while this wasn't the only reason for its steady loss of votes, it was a big one.) How the "Jamaica" coalition (so called because of the colors associated with the parties in question - black for the CDU/CSU, the conversative union, yellow for the FDP, the business-oriented liberal party, which will return to parliament after having been voted out four years ago, and green for the Greens, obviously) will work out is anyone's guess, but it's the best of currently available alternatives. And since the AFD does have a lot of inner fighting between its heads going on and hasn't yet managed to actually do something constructive in any of the provincial parliaments they were already in, they might destroy themselves over the next four years, as the 80s flavor of right wing extremists did (they were called Republicans, I kid you not). None of that changes me feeling thoroughly disgusted this morning at 13% of our electorate, and angry with a lot of other people as well.

Here are two articles from two of our leading papers translated into English which analyze the election and its results:

Tears won't change a thing (from the Süddeutsche, in which Heribert Prantl says that we're the recovering alcoholic of nations, which is why it's differently serious when part of our electorate falls off the wagon to get drunk on demagogery, racism and authoritarianism again)

The Panic Orchestra, which also analyses the role the media played (because just as with Trump, the bloody AFD seemed to be on tv all the time)

On the bright(er) side of things, there were spontanous anti AFD marches on the street in Berlin and Cologne last night, and they were soundly defeated as also rans in Munich. (Which is a relief on a personal level, since I live there, and also because of history.)

Speaking of Munich, to conclude on a distracting and cheerier note, the Süddeutsche also hosts an US journalist who last week penned this column:

11 things Americans get wrong about the Oktoberfest
selenak: (Schreiben by Poisoninjest)
[personal profile] selenak
Back when I marathon-read Philip Kerr's Bernie Gunther series, I saw he's also authored a lot of novels for children, and had a new one coming out this month, a standalone called Frederick the Great Detective, which, however, mysteriously seems to be available in German before it is in English. (Mysterious because Kerr's Scottish and writes in English, and the novel, which got released today, is indeed translated from the English original, I checked the imprint.) Anyway, the novel has a very similar premise to a movie I saw at last year's Munich Film Festival, Erich Kästner and Little Tuesday - the review I wrote about the film is here: boy falls in love with Emil and the Detectives, befriends its author, Erich Kästner, in the twilight of the Weimar Republic, the Third Reich ensues, boy tries to maintain ideals of novel versus increasingly awful reality. Having read the novel now, I can add a further parallel: both Friedrich in Frederick the Great Detective and Hans in Erich Kästner and Little Tuesday have an older sibling who is enthusastically joining the Nazi cause. My original suspicion as to why Kerr picked a fictional main character instead of Hans, who actually existed and did befriend Erich Kästner, was because Hans' fate was sealed by history, and that Kerr wanted a better fate for his young hero. Spoilers ensue. )However, by that point, I had already guessed various other reasons why Kerr chose a fictional over a fictionalized "real" main character, and the differences to Erich Kästner and Little Tuesday are instructive here.

For starters, there's the difference in focus: Erich Kästner and Little Tuesday is, as far as Hans is concerned, a coming of age story - he goes from child to teenager and young man in the course of the story - and has Erich Kästner as the other lead, whose perspective through the movie is even the slightly favored one. Frederick the Great Detective, by contrast, has Kästner only as a supporting character, aside from a prologue and an epilogue ends in late 1933/early 1934, and is above all a homage to Kästner's novel in structure, focusing on Friedrich and his same-age friends, who play detectives until it gets lethally dangerous. (The adults, whether benevolent or malignant or in between, are seen from the outside, the point of view is Friedrich's throughout.) For, befitting the author of the Gunther mysteries, there are actually cases to solve. (Though as opposed to Bernie, young Friedrich - who wants to become a detective through much of the novel - gets the point that you can't be a detective in a system where the criminals have taken over when Kästner desperately tells him just this.)

Indeed, while reading I wondered whether the basic idea for the novel might not have been a wish to write a sequel to Emil which tackles how Emil & Co. would act when the Third Reich starts, because Friedrich's gang with its twins has some similarities. Then again, Friedrich has a distinctly different background to Emil (or Hans Löhr) - no working class single parent mother, instead, middle class parents with his father a journalist and friend of Kästner's, which is the original connection, which allows Kerr to depict the way the press lost its freedom within a year. It also allows Kerr to let Friedrich and his parents vacation on Rügen where Friedrich meets Christopher Isherwood and Isherwood's boyfriend Heinz on the beach. (Leading to a charming scene where Friedrich manages to solve his very first case by finding Isherwood's lost watch.) Kerr provides quite a lot of real life characters making cameos throughout the novel - Billy Wilder (during the premiere of the "Emil and the Detectives" movie version which he scripted), Max Liebermann, Dietrich Bonhoeffer, Walter Trier etc. - but the Isherwood cameo was for me the most vivid of these. (And I'm not surprised, having come across an interview where Kerr says bascially Berlin for him as a reader, before he got there, was invented by two British writers, Christopher Isherwood and John Le Carré.)

Kästner himself lis of course the real life character with the most page time, but he feels more like a generic version of Kästner's author persona than an actual attempt at depiction of the man. (As opposed to the Kästner in Erich Kästner and Little Tuesday.) Meaning: he's a benevolent adult the way, say, Justus the Teacher in "Das Fliegende Klassenzimmer" is, with no hint of any inner conflicts, and Kerr slims down the biographical and authorial data about him to "wrote Emil and the Detective, also works as a journalist"; in this book, there are no mentions of either Kästner's other books for children or his adult novel, Fabian (the one who got burned by the Nazis at the 1933 book burning), nor of his sharp political poetry (which in Germany he was and is almost as well known for as for his prose). (Hence ahistorically Emil ends up as the burned book, when in rl Emil and the Detectives was so popular that it got published, as the only one of Kästner's works, within Germany until 1936. Then it was for the axe as well.) The one biographical background fact about Kästner mentioned in conversation by Friedrich's father is in fact a wrong one, or rather, a wrong assumption, that Kästner's mother, like Emil's, raised her son alone. In rl, not only was Kästner's father around and in contact with his son, but he outlived Kästner's mother. There is, however, a reason why I didn't mind this particular wrong statement, which is: Kästner kept his father and his relationship with him very low key as long as his mother was still alive, while his relationship with his mother was intense and very public, so a colleague from work like Friedrich's father could be forgiven for assuming the guy was either dead or had left the family. ( If you've read Kästner's autobiographical writings, one of the most memorable childhood scenes which makes you cringe in sympathy is his parents' christmas competition about him, when his father, a craftsman, proudly presented presents he made with his own hand while his mother spent all her money on presents, and both parents would regard whichever present their son showed any favour to as proof whom he loved more or a rejection respectively. And thus it went on for as long as Kästner's mother lived.)

What the novel does really well, though, is presenting a group of children responding to their world changing radically, and Friedrich as a likeable child hero who ends up rejecting the demagogery, scapegoating and promise of glory that lures his older brother in because he sees how both people he knows and strangers are abused in its name. Again, in an homage to Kästner's novel which has a memorable dream sequence, Friedrich's ongoing crisis of conscience and wonder how to avoid becoming a Nazi himself climaxes in a surreal dream where the various things he has experienced come together. The lesson he draws from this is simple and profound at the same time, very Kästnerian and indeed great advice in current day circumstances as well, to the question as ow to act: Be kind. Being kind and you can't become what you fear and hate. Be kind.

Mind you, the 1945 prologue and epilogue does spoilery things ) But all in all, Frederick the Great Detective is still a very readable children's novel set in a dark time which also manages to pay homage to a classic while being its own thing.

goodbye homeland; hello homeland

Sep. 22nd, 2017 10:32 am
marina: (Default)
[personal profile] marina
So, in about 20 minutes I'm going to be leaving my parents' place, so that we can all go to the airport and travel to the country where my family has lived for as many generations as we know about (at least 4) and left when I was 7.

I've never been to the capital. I don't speak the language that people mostly speak there. (Everyone else in my family does speak it, but at home we always spoke Russian, the de facto lingua franca of the USSR, and that's all I managed to pick up by 7.) Kiev is new to me, and not new because I grew up on stories about it. (My aunt grew up there.) Odessa is familiar, full of people who will be happy to see me, but foreign too, like just another random European city, with buildings and customs that don't conform to the West Asian norms I find familiar and standard.

Anyway, if I started describing my feelings in earnest we'd never be done with parentheses.

I expect this trip will be a mindfuck. I expect being stuck with my parents for two weeks straight will be... a challenge. I hope, intensely, that the next two weeks will be wonderful and healing as well, as going home usually is.

Take care, friends.

Adaptions and remixes

Sep. 20th, 2017 12:07 pm
selenak: (Borgias by Andrivete)
[personal profile] selenak
Two filmed novels in, the tv version of JKR's written-as-Robert-Galbraith mystery novels called Strike comes across as very enjoyable. Holiday Grainger is a delight as Robin, Tom Burke still isn't how I imagined Cormoran Strike, but he's entertaining to watch, and they have good chemistry. Inevitably, characters and subplots were for the axe in both Cuckoo's Call and The Silkworm, but so far they've kept the important emotional beats. In the case of The Silkworm, I'm especially glad my favourite sentence of the entire novel gets to be used in dialogue, though a different character gets to say it on tv: Writers are a savage breed, Mr. Strike. If you want life-long friendship and selfless camraderie, join the army and learn to kill. If you want a lifetime of temporary alliances with peers who will glory in your every failure, write novels."

Of the guest stars, the actresses playing Leonora and Orlando were especially good. I do notice that some of the sharpness of the novels is lost when it comes to politics. I mean, The Silkworm, the novel, has passages like this: : Kenneth Clarke, the Justice Secretary, was announcing plans to slash 350 million pounds from the legal aid budget. Strike watched through his haze of tiredness as the florid, paunchy man told Parliament that he wished to 'discourage people from restoring to lawyers whenever they face a problem, and instead encourage them to consider more suitable methods of dispute resolution.' He meant, of course, that poor people ought to relinquish the services of the law. Nothing like it on tv. But the result still doesn't feel as awfully castrated as the tv version of The Casual Vacancy, which lost all the bite and anger and ruined what might not have been a masterpiece but was a novel with genuine points to raise by turning it into inoffensive blandness, more angry reviews here, possibly because such asides aren't the main issue in the Galbraith novels.

In other news, [community profile] missy_fest has been revealing one Missy story per day-ish. This was the smallest ficathon I ever participated in, but a delight to write and read, and as soon as it's de-anonymized, I'm going to link and talk about the story I wrote. Meanwhile, check out the one I received, which was The Master's Faithful Companion (Forever or Just A Day Remix), which remixed my story Lucy in the Sky with Diamonds.

15 Characters Meme

Sep. 18th, 2017 01:31 pm
selenak: (uptonogood - c.elisa)
[personal profile] selenak
1. Norma Bates (Bates Motel version)

2. Philip Jennings (The Americans)

3. Missy (aka Gomez!Master) (Doctor Who)

4. Jimmy McGill (Better Call Saul)

5. Rachel Duncan (Orphan Black)

6. James McGraw/Captain Flint (Black Sails)

7. Ahsoka Tano (Star Wars: The Clone Wars)

8. Bernie Gunther (Philip Kerr: The Bernie Gunther Mysteries)

9. Sarah Connor (Terminator: The Sarah Connor Chronicles)

10. Alfred of Wessex (The Last Kingdom)

11. Andra'ath/Miss Quill (Class)

12. Londo Mollari (Babylon 5)

13. Phyllis Crane (Call the Midwife)

14. Doc Holliday (Wynona Earp incarnation)

15. Jessica Jones (MCU version)

And you came up with some awesome prompts!

Now the questions: )
selenak: (Scarlett by Olde_fashioned)
[personal profile] selenak
I've acquired new fandoms and revisited some old ones since the last time I did this, thus, from [personal profile] astrogirl:


1) Make a list of fifteen characters first, and keep it to yourself for the moment.

2) Ask your f-list to post questions in the comments. For example: "One, nine, and fifteen are chosen by a prophecy to save the world from four. Do they succeed?", "Under what circumstances might five and fourteen fall in love?", "Which character on the list would you most want on your side in a zombie invasion?"

3) After your f-list has stopped asking questions, round them up and answer them using the fifteen characters you selected beforehand, then post them.

Also, this unique summary of A Legacy Of Spies cracks me up. :)

Top of the Lake

Sep. 17th, 2017 12:00 pm
marina: (Default)
[personal profile] marina
I have been writing a post about Top of the Lake for literally like 4 years. FOUR YEARS. I keep writing drafts and never finishing them, because it all just feels so enormous and too much and I need like an entire day to get all my thoughts in order.

But, it's happening today friends. IT'S HAPPENING TODAY. SO HELP ME, THERE WILL BE A POST. It will be cobbled together from different drafts I've started over the years, but IT WILL EXIST.

So, below are my thoughts, which were written a few years ago, before I'd seen Mad Max: Fury Road, before Jessica Jones, before Wonder Woman.

Anyway, this post is still not even a fraction of the thoughts I have in my head about this show, BUT. We are doing this. THIS POST IS GETTING POSTED.

*

Well, there's now not one, but two versions of Broadchurch (both starring David Tennant!) and I still haven't gotten around to the show that, to me, is the far more subversive, far more interesting, far richer and more beautiful original version of what has now become a multi-season franchise.

I haven't been able to write about Top of the Lake until now because my talents do not lie in talking about the things I find overwhelmingly amazing. I had to wait such a long time for the edges to fade, for this show to settle in my head and become digestible (this is after multiple viewings, because of course I rewatched parts of it ad nauseum) and analyzable and describable.

The non spoilery version is this: Robin (Elizabeth Moss) is a detective who comes back to her small town in New Zealand to visit with her gravely ill mother. At the same time a 12 year old girl in the town is discovered to be pregnant. Robin is called in, because of her big city specialist training, to help interview the girl - however the girl claims she remembers nothing, and Robin ends up leading the investigation into what happened. To unravel this mystery Robin will have to face old friends and enemies, the local gang, police corruption and the secrets of her own family.

If you, like me, are utterly bored by detective stories and mysteries, let me attempt another pitch: Top of the Lake is probably the greatest story I've ever seen about a heroine who is flawed and competent and human, who's allowed to unravel, whose power is never undermined even when she's as low as she's ever going to get, even when the odds are insurmountable. Robin is a heroine you root for when, like Buffy, she has nothing left but herself, her body, her wits. She's someone you root for while you recognize her blind spots, her privileges, her biases. Robin is someone who always, always comes through. Stripped down to the bone she rises, like Lazarus, unstoppable in her passion, her moral duty to do right by the marginalized, her incredible strength.

The amazing thing about Top of the Lake is that it's about a girl who loses everything, but never loses herself. It's about trauma, it's about survival, it's about revenge, it's about justice, it's about compassion and love and forgiveness, it's about asking the ugly questions about ourselves and being uncomfortable and trying as hard as you can to be the best person you can be. It's about trying to make sure no one has to suffer the way you've suffered.

And of course - Jane Campion is an amazing director, and stepping into her world for 7 episodes was like suddenly finding myself in an alternative universe where complex, challenging visual stories are told for me, as a woman. Where the male gaze is not even a distant memory.

Here's one last way of putting it: Robin and Leslie Knope (of Parks and Rec) are two extremes on the same continuum. Leslie is Robin in a light-hearted, brightly lit comedy - Robin is Leslie in a graphic, gritty detective story. Robin is the grown up version of Veronica Mars. The settings, the moods, the tropes are different but the women are the same - beacons of resilience, fortitude, open-eyed optimism, competence, who are the heroes rather than the victims of their narratives.

spoilers )

*

And now an addendum written by today!me:

Top of the Lake is the spiritual mother of so many modern shows, and I'm so happy (SO SO HAPPY) that I get to place it a broader than ever tapestry of women heroes of all kinds.

And then there's this

Sep. 16th, 2017 06:47 pm
selenak: (Black Widow by Endlessdeep)
[personal profile] selenak
The other day, I could hear Arundhati Roy present her new novel and talk about the situation in India today in Munich. And reinforced that by now, I'm not just bugged but disturbed by part of Kala's storyline in Sense8, because it's so exactly in contrast to Indian reality, and so exactly what a vicious government propagandist would want people to believe, that I'm starting to wonder whether the reason why the Wachowskis and JMS came up with it wasn't that they otherwise would not get permission to film in India. Spoilers for both seasons of Sense8. ) Why? Because consider the depth of current day Hindu fundamentalism from Modi (the PM) downwards. Arundhati Roy mentioned the saying "there are just two places for Muslims - the grave and Pakistan", which gets said by officials in the country with the second largest Muslim population in the world (Indonesia has the largest). People get lynched for the crime of possessing or eating beef. Modi belongs to the RSS, the same organisation Gandhi's assassin did, and the vocabulary of said assassin is now mainstream politics. A popular taunt makes the word "secular" into "sickular". An MP could say Arundhati Roy should be used as a human shield in the war in Kashmir to punish her dissent, and not get reprimanded but applauded. (For more, check out check out these statements by today's most famous Indian origin writers.) Basically: the kind of story Sense8 tells is about as likely to happen in this India as a story about, say, a rabid atheist rising in Saudi Arabia's government and starting to persecute Muslims would be. Or, to bring it closer to home, a story about a fanatic atheist becoming a US government official and starting to surpress Christians. Which, of course, is what Breitbart & Co. tell their ilk already happened under each Democratic president. ("War on Christmas", anyone?) Which tells you what type of propaganda this is.

Now don't get me wrong: I don't believe the Wachowskis and JMS are aware. At first, I thought it was simply that they wanted Kala to be a faithful believer and needed some type of conflict for her that wasn't about her not wanting to get married, picked Hinduism as the most popular Indian religion (and the one with the film friendly statues), and didn't do much research about the Indian present. But now I wonder whether they did tell some staff member to do research, and that person came back with this storyline, getting it as a condition for the crew filming Kala's story in India. Because it's just too perfect BJP propaganda to come across by accident, my inner conspiracy theorist says.

For distraction, something lighthearted:

Avengers


Up in the air, Junior Birdman: in which the Avengers (plus Maria Hill, Sam Wilson and Rhodey) go camping. Set at some point between the frst and second movie, this Natasha-centric story is ensemble-tastic, and has Bruce as co-lead.
lizbee: (LoK: Daughters of Toph)
[personal profile] lizbee
Title: The Good Daughter
Author: LizBee
Fandom: Legend of Korra
Characters and Pairing: Lin; Opal; OFC
Rating: All-ages

Summary: Nima confronts her mother in Zaofu.

Notes: "Old Wounds", the President Beifong AU version (sort of).

'I saw you talking to Mom earlier. Do I have to apologise again?' )

Hillary Clinton: What Happened

Sep. 13th, 2017 04:15 pm
selenak: (Rocking the vote by Noodlebidsnest)
[personal profile] selenak
Briefly; originally I intended to wait for the library to feature What Happened, but the sheer amount of hate Hillary Clinton's book has already produced made me buy it in a hurry. Having read it yesterday, mostly I agree with this review on its major strengths and weaknesses. (My main area of disagreement is with the reviewer's screpticism re: the role of sexism in the election and her comparison between the respective type of hoslitiy aimed at Hillary vs her husband, John Kerry and Mitt Romney.) Therefore, I'll add some trivial observations of my own which are pop culture related:

1.) Wasn't surprised to learn that Hillary, as opposed to The Orange Menace, loved her SNL counterpart. Up and including Kate-as-Hillary singing Halleluja post election.

2.) Was amused that of the various new terms the internet coined in recent years, her favourite is "Mansplaining". (""The second I heard it, I thought"Yes! We needed a word for that.") Of course, the sheer number of guys currently mansplaining what REALLY happened in the election to Hillary Clinton was also predictable.

3.) HC also mentions The Good Wife among the shows she's watched post election for distraction. Given the various comparisons the show draws between the Clintons and the Florricks (my favourite being the Diane and Will conversation where he admits to not getting it and says Peter and Alicia are Bill and Hillary on acid), enquiring minds wonder how distracting that one could have been. Mind you, Hillary is way more positive about Bill in this book (and per previous one) than Alicia ever was about Peter. What Happens includes not just a wry "I heard it again in the 2016 campaign: that 'we must have an arrangement' (we do, it's called a marriage)" and lots of praise for his unwavering support but a straightforward love declaration as well as the statement that if she'd known what was ahead, dark times, public humiliation and all, she'd still marry him again without hesitation.

4.) She loved that pony meme as a summary of her dynamic with Bernie Sanders, and I have to confess it cracked me up as well.

5.) Apparently her Game of Thrones reference ("They shouted "Guilt!Guilty!" like the religious zealots in Game of Thrones shouting "Shame! Shame!" while Cersei Lannister walked back to the Red Keep") is held up as an example of Hillary not getting that Cersei is a villain? Which, well. There are lot of times GoT doesn't want you to sympathize with Cersei. That sequence, though, wasn't one of them.

6.) I don't know the woman, so I have no idea whether or not the book is Hillary Clinton unrestrained, but she certainly sounds like it. ("The President of China had to explain the complexity of the North Korea challenge to him. 'After listening for ten minutes, I realized it's not so easy,' Trump said. Can you hear my palm slapping my forehead?") Also, on Comey: "(Comey) said that he was 'mildly nauseous' at the idea that he influenced the outcome of the election. Hearing that made me sick." I have a bit more sympathy for Comey than she does, but yeah, no kidding.


Generally speaking, I found the book easier to read than her previous memoirs, not least because of her greater focus on one particular era and set of issues.

(no subject)

Sep. 13th, 2017 10:29 am
marina: (Default)
[personal profile] marina
I know everyone is tired of hearing how busy I am, lol, but this week has been truly ridiculous. In a lot of ways it's been filled with wonderful things, as well as boring stressful things (contacting city hall, the water company, the electric company...), and in a way I'm grateful that I can survive this kind of week now, disability-wise, since I definitely couldn't have a year ago. But I'm... intensely at the end of my rope, and things are not going to calm down for like, at least another 48 hours, and IDK if I can honestly survive that long.

stuff and things )

A trailer and a story

Sep. 12th, 2017 12:12 pm
selenak: (Ashoka and Anakin by Welshgater)
[personal profile] selenak
Trailer spotted: The Man Who Invented Christmas seems to be trying to take the Shakespeare in Love approach to Charles Dickens and A Christmas Carol. The following thoughts occured to me in no particular order:

- Dan Stevens is actually made to look like a young Charles Dickens and has something of that manic energy, but:

- as Dickens' favourite daughter Kate Perugini put it, writing to George Bernard Shaw: "If you could make the public understand that my father was not a jolly, jocose gentleman walking about the earth with a plum pudding and a bowl of punch you would greatly oblige me."

- no such luck, Kate, not with this movie. Though Dickens really wasn't

- I know I complain about Mark Gatiss written episodes of Doctor Who a lot, but his very first one, The Unquiet Dead, actually did something more interesting with the basic idea of Dickens + Christmas Carol + supernatural elements than this trailer indicates

- why is it that "based on a true story" movies that tackle author plus famous work always feel the need to pretend the author in question had writers block and/or dire difficulties before hitting on the inspiration for the famous work? Do we blame Stoppard for this one, too? Finding Neverland did it as well, and it's just as untrue here (neither Barrie nor Dickens were when writing Peter Pan and Christmas Carol respectively in any type of financial or inspirational difficulties)

- the idea of Charles Dickens, of all the people, having writers' block is hilarious, though, because his problem was more the opposite. Neil Gaiman in the Sandman story Calliope lets Dream curse a writer with literally unending inspiration (spoiler: it's not a boon when you write your fingers bloody because you really can't stop), and Dickens wasn't quite there, but nearly.

Mind you, the film makers are probably safe to assume most tv watchers know zilch about Dickens' biography. But not for the first time, I wonder whether a miniseries wouldn't be a great format to tackle that, Dickens in his morally ambiguous complexity, covering the whole life from child-of-a-conman Charles to celebrated writer, philantropist and terrible husband Dickens going on one last reciting tour. Abi Morgan did a good job with The Invisible Woman, taking one particular part of his life, and she has tv experience, so she'd be my first choice to write such a series.

Meanwhile, in another fandom, to wit, Star Wars:

Balance Point: now by now there are some stories in which Force Ghost Obi-Wan Kenobi haunts Vader, but this story is the first one which lets someone else who used to be close to Anakin Skywalker do so instead, and executes that premise beautifully.Spoilers for Star Wars: Rebels ensue. )

Profile

ispahan: (Default)
ispahan

Quotes

I want to go back to being weird. I like being weird. Weird is all I've got. That and my sweet style.

September 2017

S M T W T F S
     12
3456789
10111213141516
17181920212223
24252627282930